Wednesday, February 20, 2013

Yet another Failure by a Person Who Is Meant to Inspire

           I have tried to avoid this topic for quite some time now but with yet another celebrity endorsement falling at Nike’s feet, I felt a need to pose a question to all who read this. Does your view of a brand change when the epic and highly publicized failure of athletes and celebrities come to light?

           Now I don’t particularly want to go into what Oscar Pistorius, Lance Armstrong, Michael Phelps, and Tiger Woods (just to name a few) did because we all have read and heard enough of this in the news. But I do want to get into the underlying issue. How do we as people, as consumers put so much faith in athletes or celebrities that a brand has placed on a throne for all to see and admire, when in actuality there are just as human as the rest of us?  They all have their own faults, weaknesses, and pressures. But we like to view athletes and celebrities as more; as someone to look up to, someone who can inspire us to be more than what we are and someone who we want to be growing up as a kid.  We don’t want to know their faults or their failures. We only want to hear about their triumphs and successes.

           As we grow up and with a lot of help from the new media, we become more enlightened and educated to their negative behaviour, but it still doesn’t stop the public’s idealization of these so called iconic figures that so many brands have labelled, so many times. However, for those athletes and celebrities that have overcome remarkable odds do have a profound impact on the lives of others as they touch the hearts of millions. Shouldn’t we not hold them higher standard? So when they fall from grace, their fall is that much higher.

          The phrase that I have found that best describes the celebrity spokesperson is “Borrowed Equity”. When a celebrity wears a Product A or uses a Service B, maybe the consumers will purchase it too. But as you can decipher from the term-borrowed equity; it is just that--it is borrowed. For as long as they are successful, impactful, and relevant, they will be able to influence consumers. When a company and their marketing and advertising departments get together and decide to attach themselves to a celebrity or athlete, they are in most cases now held hostage by that person’s image because it is supposed to reflect the image of that brand. It holds true when you think of Michael Jordan you think of Jordan, Sidney Cosby-Reebok, Payton Manning-Papa John’s, “Mean” Joe Greene-Coke and Lance Armstrong you think Live Strong.  All of these celebrity athletes and the brands that have attached themselves to them all have the same characteristics, but you now when you read that list your image towards one brand and athlete has changed dramatically.

        It is not because the view of that company/brand has change; it is solely based on the actions of one and is now his/her image is being placed beside that brand. How long it takes a brand to recover from the tarnished reputation of their spokesperson is purely based of how iconic the figure was. Now you won’t see Tom Brady endorsing beauty, but if he endorses a new Under Amour clothing line, you may consider it. The goal for companies is to obtain maximum exposure and celebrity endorsements are just that and the same goes for the celebrities. We cannot forget the goal for both parties and it is to gain exposure and increase sales. When these symbolic figure heads fall, we should not forget what they are a symbol our expectation put forth by the brands that employ them

 

 

 

 

 

Tuesday, February 12, 2013

Instagram's Change to Stay the Same


       Instagram is one of the fastest growing social media outlets available to the public. Recently the Facebook-owned photo sharing company has announced the launch of it’s website-equivalent, which functions just like the app does on your smart phone; but they have left out one key element - the ability to upload photos.

       It has been two years since the release of the Instagram app for iPhones and Androids, and in that time it has gone from a relatively unknown photo sharing application to servicing 90 million users today. It’s no wonder that Facebook bought Instagram last April for a whopping 1 billion dollars. This web-based experience now allows users to access and view photos, but the company wanted to keep one key aspect of their application the same – photo uploads are still only mobile-based.

      Many of us are left asking why the two year delay if Instagram hasn’t made any major changes to the website or app. One way of looking at reasons for the the web expansion is the growing number of tablets and netbooks consumers are carrying with them today, and taking into consideration the amount of potential users who are excluded from using the popular app. This now provides users with the continued ability to view Instgram through a variety of devices that now include your PC, laptop or tablets.  However, in an attempt to deter users from committing copyright infringements, Instagram’s choice to limit sharing abilities to mobile devices may have actually been a smart business choice. The sharing capabilities, now restricted to mobile devices, allows the company to indirectly control the source of the images being shared.

       So why is this so important to marketers? With millions of consumers, and companies flocking to social media, Instagram gives marketers another consumer touch-point to influence through visuals and short messages. It has become a perfect way to allow brands to get their messages across as quickly and effectively as possible. The company’s transition to the web allows marketers to reach a wider audience that can be engaged with the brand and hopefully be influenced by it.

Sunday, February 3, 2013

Adweek - Next Generation Day

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Allow me to introduce myself. My name is Aidan Sykes (@aidanpsychs). I’m a Humber business marketing student who is ambitious and looking to break into the Marketing/Advertising Industry. If I had to sum myself up in one sentence it would be…“Young creative with a business mindset.”

Adweek is an amazing opportunity for students to learn, network and get some insight on the Marketing/Advertising from Industry leaders.  It’s a week full of speakers-series, workshops, and events that you don’t want to miss!

Next Generation Day

It was an early morning at the Bell TIFF Lightbox. I struggle to get up for my 8am classes, but this morning I felt like a little kid going to their first day of school. It was a restless night, had my clothes picked out the night before, and was ready to learn and network with the industry’s top executives. People from all over Ontario were in attendance, some travelling more than 6 hours to be here! The day started with a panel of speakers spanning from Directors’ to Account Managers. I really liked the mix of experience because we got insight from all levels of the Marketing/Advertising Industry. I took a lot of notes and decided to share some of them with you (Check Out My Black Book Of Advice at the end).

A very compelling story that really motivated me was from Emma Brooks, Digital Strategist from Publicis Modem. She graduated from Dalhousie University and decided to try and find a job in Toronto; she knew no one and had only been here one time before. She used all of the networks she knew from school and cold called every possible place she could find to get information interviews and try to get her foot in the door. Did I mention she was only able to stay in the city for a week! After preparing for her journey from Halifax at the end of her week in Toronto she had multiple internship and job offers….

After the panel was done we got some words of wisdom from Burke Moody  (Exec. Director of AICE New York) who discussed the wonderful world of post-production editing. It wasn’t the most engaging of speeches and interested 1/15th of the crowd. I wished they had someone that would have spoke more to the entire industry rather than one specific niche sector. On the plus side he showed us some really cool edited movies that highlighted the work that editors do that we always overlook. You can see some really cool videos (If you can only have time for one, watch The Shining) at: http://tinyurl.com/a7j238q

We were than split into groups according to the agency that we were assigned to. There were so many times when they were calling out agency names that I just wanted to get up and pretend to be apart of a group, but I managed to restrain myself. People had the chance to get an insider view of agency’s like TAXI, McClaren McCann, BBDO, DDB, Olgivy, Juniper Park, etc.…. My head was spinning with all the amazing agencies’ and corporations who were willing to open their doors to us. I was a part of a group attending KBS+P. It’s a smaller agency that just won Target Canada as a client. They were open and very welcoming. They gave us the typical spill about the company, office tour, and broke down job titles to give us a better understanding of agency life. The best part was when they gave us a chance to work on a current creative brief they had. They even said that they were going to present some the ideas we came up with to the client! I don’t know how much involved we could have got.    

After meeting some great people at KBS+P the group and I attended the networking event. We met up with all the other attendees; I got to meet some great people while enjoying good music, food and drinks! Unfortunately the industry execs weren’t able to attend, due to playing catch up from a missed day of work.  

Overall it was an experience that has taught me a lot and I would not trade it for the world. I would suggest if you want to get into the Marketing/Advertising Industry you need to block off everything for Adweek and attend as many sessions as possible. Knowledge you’ll gain will be invaluable and give you a leg up when looking to break into the industry.

Thank you to all the organizations and Individuals that participated and gave their time.  Especially thanks to the Institute of Communication Agencies (@ICA) for putting this together.

-Aidan Sykes

Super Bowl Sunday not just for Football Fans


            The 42nd annual Super Bowl kicks off this Sunday night; and while most of the focus will be on the game between the Baltimore Ravens and the San Francisco 49ers, many marketers and advertisers will be watching which brands make the biggest impact with their game day commercials. With big named brands such as Blackberry, Doritos, Toyota, Go Daddy and Sony shelling out major dollars, upward to $4 million for just a 30 second spot, you can bet those companies want to get the most out of their money and be the highlight of the night.

Few things are must-see-TV anymore, and that’s why advertisers are so geared towards advertising during the Super Bowl. All you have to do is look at the statistics to see why; T.V audiences last year reached a record 111 million people. This is mass marketing at its best - being able to reach as many consumers as possible with just one consumer touch point, doesn’t come around too often. Companies are starting early and releasing their commercials prior to game day in an effort to create buzz around their brand. Last year companies had around 300 million views per commercial on YouTube. Then YouTube did some research into the early release of Super Bowl commercials and found that companies with earlier release dates had on average 9.1 million more views.  Super Bowl ads are arguably the best part of Sunday’s championship day; it is the part of the event that will make us laugh, cry and love, regardless of the love of football. Social media will be abuzz on Monday, with everyone’s thoughts and reactions to the outcome of the game, where all will be judged and scrutinized.

            This trend suggests that the price for Super Bowl commercials isn’t going to dip anytime soon, and with an 84% increase for a 30 second TV spot from just 10 years ago, you can almost guarantee it. As an advertiser it would almost be cheaper to ink yourself on one of the heavily tattooed players on one of the two teams for the four hour show.

 

Adweek 2013 - Next Generation Day

-->
Allow me to introduce myself. My name is Aidan Sykes (@aidanpsychs). I’m a Humber business marketing student who is ambitious and looking to break into the Marketing/Advertising Industry. If I had to sum myself up in one sentence it would be…“Young creative with a business mindset.”

Adweek is an amazing opportunity for students to learn, network and get some insight on the Marketing/Advertising from Industry leaders.  It’s a week full of speakers-series, workshops, and events that you don’t want to miss!

Next Generation Day

It was an early morning at the Bell TIFF Lightbox. I struggle to get up for my 8am classes, but this morning I felt like a little kid going to their first day of school. It was a restless night, had my clothes picked out the night before, and was ready to learn and network with the industry’s top executives. People from all over Ontario were in attendance, some travelling more than 6 hours to be here! The day started with a panel of speakers spanning from Directors’ to Account Managers. I really liked the mix of experience because we got insight from all levels of the Marketing/Advertising Industry. I took a lot of notes and decided to share some of them with you (Check Out My Black Book Of Advice at the end).

A very compelling story that really motivated me was from Emma Brooks, Digital Strategist from Publicis Modem. She graduated from Dalhousie University and decided to try and find a job in Toronto; she knew no one and had only been here one time before. She used all of the networks she knew from school and cold called every possible place she could find to get information interviews and try to get her foot in the door. Did I mention she was only able to stay in the city for a week! After preparing for her journey from Halifax at the end of her week in Toronto she had multiple internship and job offers….

After the panel was done we got some words of wisdom from Burke Moody  (Exec. Director of AICE New York) who discussed the wonderful world of post-production editing. It wasn’t the most engaging of speeches and interested 1/15th of the crowd. I wished they had someone that would have spoke more to the entire industry rather than one specific niche sector. On the plus side he showed us some really cool edited movies that highlighted the work that editors do that we always overlook. You can see some really cool videos (If you can only have time for one, watch The Shining) at: http://tinyurl.com/a7j238q

We were than split into groups according to the agency that we were assigned to. There were so many times when they were calling out agency names that I just wanted to get up and pretend to be apart of a group, but I managed to restrain myself. People had the chance to get an insider view of agency’s like TAXI, McClaren McCann, BBDO, DDB, Olgivy, Juniper Park, etc.…. My head was spinning with all the amazing agencies’ and corporations who were willing to open their doors to us. I was a part of a group attending KBS+P. It’s a smaller agency that just won Target Canada as a client. They were open and very welcoming. They gave us the typical spill about the company, office tour, and broke down job titles to give us a better understanding of agency life. The best part was when they gave us a chance to work on a current creative brief they had. They even said that they were going to present some the ideas we came up with to the client! I don’t know how much involved we could have got.    

After meeting some great people at KBS+P the group and I attended the networking event. We met up with all the other attendees; I got to meet some great people while enjoying good music, food and drinks! Unfortunately the industry execs weren’t able to attend, due to playing catch up from a missed day of work.  

Overall it was an experience that has taught me a lot and I would not trade it for the world. I would suggest if you want to get into the Marketing/Advertising Industry you need to block off everything for Adweek and attend as many sessions as possible. Knowledge you’ll gain will be invaluable and give you a leg up when looking to break into the industry.

Thank you to all the organizations and Individuals that participated and gave their time.  Especially thanks to the Institute of Communication Agencies (@ICA) for pA

Super Bowl Sunday not just for Football

          
            The 42nd annual Super Bowl kicks off this Sunday night; and while most of the focus will be on the game between the Baltimore Ravens and the San Francisco 49ers, many marketers and advertisers will be watching which brands make the biggest impact with their game day commercials. With big named brands such as Blackberry, Doritos, Toyota, Go Daddy and Sony shelling out major dollars, upward to $4 million for just a 30 second spot, you can bet those companies want to get the most out of their money and be the highlight of the night.

Few things are must-see-TV anymore, and that’s why advertisers are so geared towards advertising during the Super Bowl. All you have to do is look at the statistics to see why; T.V audiences last year reached a record 111 million people. This is mass marketing at its best - being able to reach as many consumers as possible with just one consumer touch point, doesn’t come around too often. Companies are starting early and releasing their commercials prior to game day in an effort to create buzz around their brand. Last year companies had around 300 million views per commercial on YouTube. Then YouTube did some research into the early release of Super Bowl commercials and found that companies with earlier release dates had on average 9.1 million more views.  Super Bowl ads are arguably the best part of Sunday’s championship day; it is the part of the event that will make us laugh, cry and love, regardless of the love of football. Social media will be abuzz on Monday, with everyone’s thoughts and reactions to the outcome of the game, where all will be judged and scrutinized.

            This trend suggests that the price for Super Bowl commercials isn’t going to dip anytime soon, and with an 84% increase for a 30 second TV spot from just 10 years ago, you can almost guarantee it. As an advertiser it would almost be cheaper to ink yourself on one of the heavily tattooed players on one of the two teams for the four hour show.